By Patricia Read
From the co-author of 2 past Batsford lace titles comes a suite of fifty beautiful lace styles that show off the fragile fantastic thing about this ever-popular lace. typically, the ornate braids that make up Milanese lace have been utilized in lengthy, convoluted floral styles, yet also they are simply tailored to be used in additional sleek designs. This new e-book of styles includes either conventional and sleek examples, and the writer experiments with various ornamental types - for instance, Celtic lettering that's brilliant with the colors of unique Celtic artwork, taken right into a new measurement with the addition of Milanese braids. beautiful miniatures in a eastern kind should be a problem even for the main skilled lacemaker: the smallest styles are usually not inevitably the best! different styles comprise vegetation, scrolls, leaves and butterflies, plus a few more odd designs: dragons, an image depicting the legend of Arion and the dolphin, and a unbelievable piece that includes the mythical...
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Additional info for 50 New Milanese Lace Patterns
2. Butterfly: start with the antenna in 10-stick and take the pairs into the body, which is worked with 3 repeats of Orchid – 2. Tie back or roll the outline. Top wings: start by sewing into top of body and work small Holes at regular intervals. Sew off into braid. Underwings: start at the tip and, after sewing into the body, work inner passive pair in half-stitch. Sew off into upper wing. 3. Butterfly wing fillings: Lattice – 1 in upper wings and Mesh in underwings. 4. Flower: the vein in the leaves is made by twisting the workers once on either side of the centre passive pair, which is also twisted once.
Thread Madeira Tanne No. 80 Order of working 1. Set up on the line of five marked dots. Work the braid continuously, keeping it full by gradually adding extra pairs where it widens and throwing them out where it narrows. All curves are turned with the scroll method. Sew off into the loops made when setting up. 2. Roll the inside edges of the motifs. 3. Fillings: the flower-shape motif has simple torchon ground: half-stitch, pin, half-stitch and twist with tallies as marked. The pointed leaf-shape has double torchon ground: cloth stitch, pin, cloth stitch and twist with Spot Spiders as marked.
Keeping the braids level, join the two braids at the centre point, and work to the end, making a hole where marked. Roll. Work the adjoining small side braids on both sides of the point and the two larger side braids next to where the curved shapes started. Roll. 4. The convoluted shape in the middle is started in four places. Firstly, sew in pairs near the centre scroll and work to where the braid divides. Work the short section first and make a hole as marked. Sew off into the braid. Work the remaining pairs around the curve in Ammonite, throwing out pairs as the braid narrows.
50 New Milanese Lace Patterns by Patricia Read