'A Nation of a Hundred Million Idiots': A Social History of by Jayson Makoto Chun PDF

By Jayson Makoto Chun

This e-book bargains a background of eastern tv audiences and the preferred media tradition that tv helped to spawn. In a relatively brief interval, the tv helped to reconstruct not just postwar jap pop culture, but in addition the japanese social and political panorama. in the course of the early years of tv, jap of all backgrounds, from politicians to moms, debated the consequences on society. the general public discourse surrounding the expansion of tv printed its function in forming the id of postwar Japan in the course of the period of high-speed development (1955-1973) that observed Japan remodeled into an fiscal strength and one of many world's best exporters of tv programming.

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Additional info for 'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973

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S. military. While enough of the prewar imperial apparatus remained to control and regulate society, SCAP implemented just enough reform to prevent a full-scale resuscitation of the prewar imperial structure. With the end of the Occupation in April 1952, Japanese, facing this reformed but intact imperial state structure, confronted the problem of setting goals for a new, postimperial Japan. Would it reaffirm the imperial legacies of empire? Or would it embrace the reformist legacies of America’s revolution from above?

Tanimoto’s reply:“ ‘Indeed, she does wear dresses. I wonder why? Her chest sticks out and her neck stretches up. ’ We both laughed. I suggested that foreign clothes had become a kind of uniform after the Meiji Restoration [in 1868]. Only Meiji-tenno and his Empress are wearing Shinto-style garments in the picture. ‘We decided that it must be a custom that was established rather recently and were both convulsed with laughter. ‘Look at her hair-do and the open neck. She is dressed just like you,’ she exclaimed.

The ability of centralized broadcast organizations to reach the individual featured prominently in his visualization of television: It will be a certainty that we can do live broadcasts of every sport. We will be able to do news television that is rather like the news films in today’s movie theaters, broadcasts of dramas from the studio, and recorded broadcasts. Through the editing of film, we will be able to do pre-recorded television and delayed broadcasts depending on the time difference. Each can be broadcast at a set time on a daily basis together with radio.

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'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973 by Jayson Makoto Chun

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